Following up on last month’s talk about the two “root” styles of verse, today we’ll explore metrical verse. Most formal poetry uses this as its basis.
Metrical verse
Most English verse uses an accentual-syllabic rhythm. While this could be four stresses in an eight-syllable line with no regard to the pattern, most accentual-syllabic verse uses meter: iambic [...]
Posted by Tom on 06.26.2008 at 12:01 am// Tagged: Informal Talk About Forms, Tom , -Byron, accentual-syllabic rhythm, Alexander Pope, anapest, aural structure, dactyl, dactylic dimeter, double-dactyl, Essay on Criticism, how many feet per line, iambic pentameter, metrical verse, metronome, Poe’s “The Raven”, pyrrhics, Read Write Poem, Shakespeare, spondees, trochaic trimeter, Trochee, “The Destruction of Sennacherib”
There are two traditional areas in the exploration of poetic forms: rhythm and rhyme. For the most part, stanza or line length is based on choices concerning both of these areas.
I’m saving issues about rhyme for another time; this article will be focusing on rhythm and the varieties of it in poetry.
At a basic level, [...]
Posted by Tom on 05.22.2008 at 12:01 am// Tagged: Informal Talk About Forms, Tom , Accentual Poetry, accentual verse, accentual-syllabic rhythm, Beowulf, English accentual verse, English Haiku, epic poem, Japanese Haiku, rhythm and rhyme, Seamus Heaney, syllabic verse, twelve syllable Alexandrine line, Vachel Lindsay