group revamp, please read!

As we mentioned back in January, we are scaling back on the number of groups here at Read Write Poem to better focus on the groups that have had engaged, consistent activity. Our first step is to make the groups we will remove hidden, which means members and administrators for those groups can still access them to remove any information they would like to save. Please take a look at the groups you are a member of. If any of them are marked as hidden, they will be deleted in one week, and all associated content in the group wires and forums will be removed from the site. We will not be able to retrieve any information once we delete these groups, so make sure you save any information you want to keep at this time.

get your poem on #110

by Dana Guthrie Martin

Did you take this week’s prompt literally? Were you transported to another realm? Can you tell I am trying to do a little wordplay with the word transliteral?

Everyone has been sharing such delicious tidbits in the prompt this week — I really can’t wait to see what you all came up with. So leave a link. You know you want to.

Please read this page to find out how the Get Your Poem On and Read Write Prompt posts work.

Remember that work linked from this post is shared in precisely that spirit: sharing, as opposed to critiquing.

If you haven’t done so already, please read all the pages under About in the navigation bar.

If you participate in a Read Write Prompt, we ask that you link back here in your posts, either with a link to Read Write Poem or by using the Read Write Poem badge in your post. Sidebar links are great but it helps others find the site when you link in every post you contribute to the project. It’s not a lot to ask in acknowledgment of the work everyone is doing in providing prompts for members to use.

Dana Guthrie Martin is the founder of Read Write Poem. She writes things and stuff. Most of the time, her things and stuff happen to be poetry, or at least they call themselves poetry. She has a robot named Feldman. He’s writing a book of poems.

games poets play: are you using a line on me?

by Dana Guthrie Martin

I love first lines of poems. Scratch that. What I mean to say is I love first lines of poems when they work well. For me, a first line works well when it pulls me into the poem or slaps me on the face or does something I’ve never seen a first line do before or is quirkily engaging or makes me laugh or makes me have to know more.

There are probably a host of other qualities that make a first line work for me, but I can’t think of them all. What I do know and can identify is when a first line is working. I know immediately, in my body, before I am able to analyze and catalog the reason or reasons the line is working.

Sometimes when I get a new poetry collection, I flip through the entire book looking only at first lines. Sometimes I will buy a collection only if many of the first lines grab me. First lines are huge for me. Huge! And yet in spite of this, or perhaps because of this, I often sit at my computer wondering how to start a new poem. Oh the blasted first line! How to write it! What to write! What not to write!

Breaking the ice with that first line is never an easy task, but often when I get a good first line, the rest of the poem flows right in.

What makes a first line work for you? Are you as first-line obsessed as I am? Do first lines hang you up? Do they get you down?

For this installment of Games Poets Play, I thought we could do two things in the comments of this post:

  1. Find first lines from our poetry collections that we love and leave them here. (Note: Don’t leave the whole poem for copyright reasons — just the first line. You can also include the name of the poet and the poem’s title if you want so that members can track the poem down and read it in its entirety.)
  2. Discuss why you love the first lines you are selecting. Not everyone’s criteria for a successful first line will be the same, and it would be interesting to see what different members feel makes this or that first line a success.
  3. Write a first line of your own based on the first line you select as a favorite — something you feel responds to or riffs off the first line you have chosen.

You can leave as many of your favorite lines and as many of your own lines in the comments section as you like. Writing your own first lines might inspire you to write an entire poem, which is great. But don’t feel any pressure to do so. We’re just playing games here, you know? No pressure to complete a poem or even start one (beyond the first line). We’re out to have The Good Times, without the pressure of production resting on our writing implements and weighing our hands down.

Dana Guthrie Martin is the founder of Read Write Poem. In 2010, she is taking a break from completing poems so she can study their component parts, while at the same time learning a new musical instrument, most likely the oboe.

read write prompt #110: no, not literally — (trans)literally

by Dana Guthrie Martin

I am going to let you in on a little secret about my own writing process this week: The prompt I am about to share is one of my favorite ways to write. It’s called transliteration.

What the heck is that, you ask? Transliteration is the process of selecting a text in a language you don’t know and then doing a faux translation of the work based on what you think the words mean. The key is not knowing the language you are translating from so that your faux translation won’t be sullied by knowing what the words actually mean.

Some people get very scientific with their transliterations, looking at letter groupings and repeated words, and trying to make sure the words they are creating from the original language match up with those groups and repetitions. For example, a word like the Old English “wrecen” would be translated as the same word wherever it appears in the text being transliterated.

That’s a great approach, and I applaud anyone who attempts such a degree of accuracy. I am, however, far less scientific with my approach. What I tend to do is read a word or a group of words and think about the effect they have on me. What do those letter combinations feel like in my mouth? If I were coming up with words in English based on the way those strange words feel when I say them, what would those words be?

Another way I transliterate is to make the foreign words into a similar-looking or similar-sounding English counterpart. I know that’s a bit of a stretch in terms of transliterating, but it can yield interesting results. For example, one of my poems, “Old Ladies,” opens with the following line:

We hate the gardenias        in the garden.

That line is a transliteration of the following Beowulf line:

Hwæt we Gar-Dena        in gear-dagum.

You can see the connection between the two.

If you feel transliterating an entire poem is too daunting, no worries! Simply transliterate a few phrases and see how you might work them into your poem. “Old Ladies” works in that manner. I think that, in the end, about half the poem was based on transliteration, and the other half was what I needed to write to create the connections and context I felt the poem needed.

Stumped about where to find poems in a language you don’t know? I’ve already revealed one source — texts written in Old English. Why not try your hand at transliterating sections of Beowulf? It’s worked well for me as a source text. You could also transliterate Latin or Greek poetry if you don’t know those languages, or from any contemporary language you don’t know. Why not look at collections in bilingual editions of poetry you own or that are available at your local bookstore or library?

Another great way to create source texts is to take a poem — yours or someone else’s — and drop it into an online translator. The translator will churn out a terrible translation of the poem in whatever language you select. Since this is an exercise in transliteration, not translation, it doesn’t matter if your source material is translated well. You just need something in a foreign language to get you started.

That about covers it. I can answer any questions in the comments section of the post, and feel free to share ideas for source material and additional takes on ways to transliterate. I can’t wait to hear what you all come up with.

Dana Guthrie Martin is the founder of Read Write Poem. She resolves to focus on process and craft in 2010, both in terms of poetry and classical music. She also resolves to join a flute choir and to dream only in music and verse.

read write poem members’ 2010 poetry resolutions, part 3

by Dana Guthrie Martin

This is the final installment in our roundup of Read Write Poem members’ 2010 Poetry Resolutions. Feel free to leave your resolutions in the comments for this series and to cheer fellow members on for making various commitments to poetry, and to themselves as poets, in 2010!

 

Mark Stratton: For 2010, I resolve to believe in my poetry. There it is. Short and simple, fairly easy to nail down. At least, on first blush it is.

The hard part is, “How do you ‘believe’ in your poetry? How do you define belief in your own poetry?” For me, I find it boils down to the idea that as a maker of poetry, I am happy with the end result. Which is much harder than it sounds.

Why is that? Simple: Many creative types are insecure, lack belief in what they do, what they create, what they make. That explains why many write madly, shut up in garrets, coffee shops, city buses and elsewhere scribbling or pecking away. Creating mass amounts of fiction or poetry or song lyrics or writing the next grand epic.

Then sharing it with nobody.

Because they don’t want to have it rejected as not being “good” as it is an extension of themselves. Which is something I can truly appreciate and understand. It becomes personal, and somehow more than just somebody saying “thanks, no” to a couple of poems or a story or article. You lose faith in yourself and your writing as result.

I used to write poetry some years ago. It was pretty dire stuff. All looking into the abyss and gloomy and angsty and pretty, well, sucktastic beyond belief. It served its purpose and I disposed of it. You’ll have to take my word for it, as the evidence is long gone. (Thank you!)

I wrote fiction some years ago, and it was likewise dreadful. I even sent some out and collected some rejection slips. I should have saved them, but I got rid of those right along with the awful stories.

When I started to write again, there wasn’t any goal. Just writing was enough. Then, I started to venture out into blogging, again with no real goal. Just writing was enough. Then, I started to submit some things and collected some of both rejection and acceptance notes. Those didn’t affect my belief in my work, as I had reached a point where I realized that somebody else liking my work was subjective and there were other forces at work here. I didn’t take it personally.

Where a loss of belief in my work this past year came from was participating in poetry communities. And the problem was not at all with them, but with me. I presumed that a lack of a comment meant “Ugh! I don’t like this at all!” because most communities have, as a basic rule of thumb, “If you can’t say anything nice, don’t say anything at all,” which is a great idea as it keeps people from being discouraged or feeling put out or put upon. It isn’t always the case that a lack of a comment means that what was offered wasn’t good or worthwhile.

The inevitable happened. I started to compare myself to others. Being a results-oriented type of guy, this seemed natural to me. A way to measure growth or whatever … more like popularity, but who wants to admit to THAT in the world of creative endeavors, right? It is all supposed to be about “the craft” and results are just icing. Which really is true, but again who wants to admit that to themselves or others, right?

So, my resolution is to focus on the work before me. To make poetry that I am pleased with regardless of “numbers” or other ways of quantifying it. Because, if I am not happy/pleased with my writing, how can I reasonably expect anyone else to be?

Here’s to 2010 and a year of belief in my work. Even if I did start the process last week.

Maya Ganesan: I think one of my major resolutions is to stop being afraid to write. Sometimes I’m afraid to write a poem because I think it’ll turn out bad, and somehow I have a fear of writing an awful poem. I’d like to get over that fear and let myself write every poem that comes to mind, even if I know it’s going to be a terrible piece.

Nathan Moore: My poetry resolutions: to write every day (only because it makes the act of writing more comfortable); to write only things that interest, delight or make me feel uncomfortable in an interesting way. This is kind of what I try to do anyway but here it is in resolution form.

Neil Reid: I’m not real keen on resolutions, but in the spirit of participation, here’s some, and publicly stated:

To write more consistently and often (daily, or nearly); and really that means “no excuses” from the rest of my life.

To be more honest (include blemishes unbleached).

To interact more fully with other writers. Discussion, participation? I’m maybe not “ready,” but that’s a lame excuse.

I’d formerly set a goal (numeric, just to draw a line) about when I’d even “look” at formal publishing. I’m doubling that (at least). I would like to increase my participation in the blogging community (like right here at RWP).

Nicole Nicholson: My resolutions for 2010 include: 1. reading more poetry, 2. revising my own work and looking for publication markets, 3. finishing up a few projects I have going and 4. becoming better at performance (getting more used to being up on stage, finding ways to convey meaning through performance, and banishing — or at least reducing — my stage fright) to where I am confident to begin slamming in earnest.

Phillip A. Ellis: I intend to concentrate on getting submissions out, so I’m aiming for an ideal of at least one submission per day. I may also continue the 1+ poem per day that I have been doing this year, as well.

Rachel Dacus: I’m going to be terrible pragmatic and do what I did one other year: I resolve to have a book under contract by the end of 2010. Worked last time!

Rachel McGladdery: Hello from a newbie. I have resolved that 2010 will be the year in which I actually send poems off to those competitions and prizes I always mean to but forget about. I also intend to study “proper” poetry and finally learn what iambic pentameter and assonance mean. I also need to learn some critical tools and get published and do more performance, and I may even attempt a Slam! Oh and sort my life out generally, quit smoking, lose weight …

Sarah Ellen Davidoff: My resolution for 2010 is to not fail the second half of freshman year, learn how to drive, work on SOTH (acronym) and edit like a crazy person. Oh, and figure out a way to wash my hair without getting it caught in my earrings.

Sarah J. Sloat: I plan to write 2,010 poems.

Therese L. Broderick: I know what I need to resolve to do, despite my strong emotional resistance. I need to resolve to become more familiar with the poetry of the Bible, because that poetry is part of my cultural tradition. I have strong emotional resistance to doing so because I’m a nonbeliever.

Well, I’ve already fulfilled the first resolution I posted here a while ago. So I think I need to make a new resolution, to be met during 2010. Let this be my RWP 2010 resolution: I resolve to create audio files for my poetry blog, even though I am a highly tech-challenged.

Tomás Ó Cárthaigh: My resolution is to do even more events, and do at least one in the UK and one on the continent!!! And finally get the next book out on Lulu!

Tony Rebecchi: I really want to come more often to RWP and write more in English. That’s also why I am on a daily morning tweethaiku performance.

Wanda McCollar: I decided I would make no resolutions about matters over which I have no control. I would not resolve first book publication. Then I saw Rachel made just such a resolution — a book under contract by the end of 2010. If one person sees such a resolution is feasible, surely it can be for me, as well. I will resume writing poetry every morning before work, and I will ignore my fear of rejection and submit more, for starters.

Dana Guthrie Martin is the founder of Read Write Poem. She resolves to focus on process and craft in 2010, both in terms of poetry and classical music. She also resolves to join a flute choir and to dream only in music and verse.

read write poem news

  • read write poem napowrimo anthology
    June 20, 2010 | 1:36 pm

    The Read Write Poem NaPoWriMo Anthology is still in production. Selection, placement, layout and copyediting are taking longer than anticipated. Thank you for your patience. I hope to have the piece completed in July. For those who have emailed asking if they can be included, the May 7 deadline for submission of work stands. Those who met that deadline will be included. Please check the post on this site listing who I received submissions from by that date. If you submitted your work by the May 7 deadline in accordance with our guidelines and your name is not listed, send an email to info (at) readwritepoem (dot) org.

  • read write poem napowrimo anthology
    May 5, 2010 | 3:09 pm

    Remember that Friday* is the deadline for submitting work to the Read Write Poem NaPoWriMo Anthology. Check out the guidelines for submission in the main column (to the left). On May 8, we’ll post a news item listing everyone we’ve received work from. If you submitted work and your name is not on that list, please let us know. Thanks!

    *I initially said “tomorrow,” but I meant to say “Friday.”

  • napowrimo congratulations, and a reminder
    April 24, 2010 | 12:05 pm

    It’s the final week of the Read Write Poem NaPoWriMo Challenge! Just 7 days left. With that, a reminder that Read Write Poem will culminate with the anthology featuring work from those who complete the challenge. A post with details for submitting to the anthology will be published May 1. Be sure you remove any information from the site that you want preserved — such as group content and personal messages. Those elements of the site will be removed May 1 as well. The main site will remain up as an archive.

  • ‘underlife’ tour at january gill o’neil’s blog
    April 20, 2010 | 8:11 pm

    January Gill O’Neil’s virtual book tour has moved to her site and is underway now. Check out the lineup at Poet Mom.

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