by Sage Cohen
The idea that talent and suffering go hand in hand in the life of poetry has become legendary; and the “starving poet” is now an all-too-familiar archetype. I think it’s time to blow some kisses to this archetype and bid it adieu. Why? Because it keeps us small, scared and struggling. And it keeps our poetry starved for something bigger in us.
The truth is, starving poets are too busy trying to make ends meet to write much poetry. And the well-fed, reasonably-employed poet has such comforts as a roof over her head and some tried-and-true organizational skills to employ toward the success of her writing life — whatever she defines that success to be.
A few years ago, when I had the good fortune to hear Mary Oliver read, she mentioned a review in which the reviewer had no particular objection to Oliver’s poetry per se, but seemed quite troubled by the fact that this poet found the time to lie around in the grass and contemplate nature. Oliver must have a trust fund, the reviewer concluded, in order to afford such leisure, thereby suggesting that poetry is available only to the independently wealthy.
The truth, said Oliver, is that she lives extremely modestly on money she has earned. And in so doing, she is liberated from the overwhelming demands of “making a living” so that she has the time and space to make a (writing) life. What Oliver clearly understands (and the reviewer clearly doesn’t) is that the wealth of creativity is available to every single one of us in any given moment. We need only choose to tune in wherever we are — whether it be a field of daisies or a swath of concrete — and start writing.
If we don’t question the popular paradigm that aligns “wealth” with money and we make the pursuit of cash a primary goal, we may find that we have little time left over for poetry. And on the flip side, if we neglect our material needs in pursuit of a life poetic, we are likely to end up in real, uninspiring distress.
But if we agree that a prosperous life is one with time to literally and figuratively smell the roses, and then luxuriate in the time to write about it, then we are establishing a root system for a new “poetry of prosperity” — one which we feed and water with our attention and our words. By recognizing, welcoming and prioritizing both our material and creative needs, we have a far better chance of striking a balance that feels like true wealth and can sustain us over the long term.
For money, I write marketing content for businesses such as Blue Shield, Intuit and Wells Fargo. For love, I write poetry and nonfiction. I’ve always considered my “day job” to be a critical part of my creative process; it pays the bills and hones my writing skills so I can have the luxury of doing what I love most — writing creatively. By choosing to be grateful about the opportunities my day job creates rather than grumpy about the time it takes from the writing I’d rather be doing, I’ve discovered more and more opportunities to bring the two together until a few years ago, love and money converged in the authoring of Writing the Life Poetic: An Invitation to Read and Write Poetry (2009, Writer’s Digest Books).
And with this shift, I have an even greater appreciation for the skills cultivated for more than a decade at my “day job,” which has sculpted me into a high-performance communicator skilled at meeting deadlines, promoting effectively and generally following through on my goals and commitments.
For me, the choice to be satisfied with the cross-fertilization of all of the work that I do is true wealth.
No matter what your financial status, time limitations or family commitments might be, I know that you have the skills and the creativity to cultivate a spirit and a practice of prosperity both in your life and in your poetry. In fact, you can choose right this minute to start re-imagining the “starving poet” stereotype as the “prosperous poet.” Once you start investigating, you may be surprised to find yourself shaping a life that is wealthy with time, inspiration, community and even money. I’ll bet you will find yourself doing more and more of what you love most without sacrificing anything but an old archetype whose time has come and gone.
Sage Cohen is the author of Writing the Life Poetic: An Invitation to Read and Write Poetry and the poetry collection Like the Heart, the World. Learn more at Writing the Life Poetic.
by Dana Guthrie Martin, director and founder
I have always loved the power and possibility of online communications. Back in 1995, I remember proposing that my university’s literary journal be created and distributed in an online format as opposed to a print format. The faculty adviser for the project scoffed at the notion. “Who would want to read poetry on a computer,” he asked.
Look how far we have come since then. Even though some still scoff at online literary journals and magazines, or at least eye them with suspicion, it’s clear that they are rising in popularity — and that audiences are gravitating to work delivered through this medium. Apparently, a lot of people want to read poetry, and learn about it, online.
I founded Read Write Poem in 2007 because of my love for and belief in the capacity for online communications as a means to lessen or remove barriers to information and resources, including art. I also saw the power of online communications in removing geographic barriers by making information available for free — anytime, anywhere on the planet. The goal of Read Write Poem at launch was simple: to leverage the power of the internet in the creation of an interactive and collaborative virtual space for poets of all levels to learn about and share poetry.
The community’s mission has grown out of the same premise on which is was founded. Read Write Poem facilitates a vibrant online community that gives readers the tools they need to make poetry central to their daily lives, both in virtual and real-world environments. The community encourages readers and writers of poetry at all levels to be more engaged with a wide range of traditional and contemporary poetry, with other poets, and with members of their local, regional, national and international communities. Read Write Poem works in tandem with and also outside of traditional frameworks such as academic institutions, providing an alternative method for learning, teaching, sharing and discussing poetry.
The site has also grown since its inception with the addition of profiles, wires, groups and other interactive elements, as well as a fully fleshed-out online magazine with new content every weekday. And, of course, we still have the weekly writing prompts that keep members challenged and engaged.
In short, Read Write Poem has evolved to the point that it is nothing other than a remarkable place. We would not be here without the participation of our more than 1,000 members, or without the talent and hard work of our contributors, senior contributors, managers and directors.
Especially deserving of thanks is Deb Scott for her tenacious dedication to the project and all her efforts, including managing the site for a year and a half and serving as a community director for the past 9 months. Special thanks also to community director Nathan Moore, without whom the energy of the community would not be what it is, and to technology director Andre Tan, without whom the social media elements and overall design of the site would have been inferior, if not impossible.
Three years and 900 articles and news items, 1,000 members, 11,000 comments, and 770,000 page views since its founding, it is clear that Read Write Poem has made a difference in the lives of many poets and of those who love poetry. There is clearly a need — and a desire — for an open, free, accessible way for anyone and everyone who loves to read, write and share poetry to have the means to do so.
The community has reached a point where it no longer needs my daily direction. At the same time, needs and opportunities in my life require me to step out of the lead director role. I have the chance to study information science at the graduate level, and to learn even more ways that barriers to information access can be removed so that those around the world, whatever their area of interest of inquiry, will have the tools they need to learn, to discover and to grow.
Deb Scott will be taking over as the community’s lead director, and that change is effective immediately. I am thrilled that Deb is taking on the role of lead director on, and excited to see where the community moves in its next phase of development. I also thank those who have come forward to help Deb manage the site. She will be making more announcements soon about the team she is assembling, so stay tuned to learn more as the new management group unfolds.
I also regret to announce that Nathan Moore must step away from Read Write Poem at this time. He has worked tirelessly on the site and has provided some of our most valuable, interesting and innovative content. The entire community will miss his presence and his voice. He is an outstanding poet, and an outstanding human being.
Thank you all. Together, we have helped change the face of poetry. Let’s keep going.
Dana Guthrie Martin founded Read Write Poem in 2007 as an extension of her work as co-founder of the Poetry Thursday site. She writes poetry and prose, and lives in the Seattle area with her husband, her robot and her two hermit crabs.
by the Read Write Poem Staff
What do you see in this week’s Read Write (Image) Prompt?
 Gathering by AlicePopkorn
“The harder you chase something, the faster you go and the less you are able to let life meet life. If you are having difficulty coming up with new ideas, then slow down. Creativity exists in the present moment. You cannot find it anywhere else.” — Natalie Goldberg
(This wonderful quote is from the artist’s profile page at Flickr.)
Leave any initial thoughts that you might have about this prompt in the comments section of this post, then leave links to your work next Thursday in the comments section of the Get Your Poem On post.
(Note: If you include this photo in your post along with your poem, make sure you credit the artist.)
by Dave Jarecki
It’s time to get on with the gettin’ on. Where did the thread take you? Midnight reveries? Sour morning frustrations? Back to the moment that sparked your being? Wherever you went, and however you arrived, we can’t wait to read!
Please read this page to find out how the Get Your Poem On and Read Write Prompt posts work.
Remember that work linked from this post is shared in precisely that spirit: sharing, as opposed to critiquing.
If you haven’t done so already, please read all the pages under About in the navigation bar.
If you participate in a Read Write Prompt, we ask that you link back here in your posts, either with a link to Read Write Poem or by using the Read Write Poem badge in your post. Sidebar links are great but it helps others find the site when you link in every post you contribute to the project. It’s not a lot to ask in acknowledgment of the work everyone is doing in providing prompts for members to use.
Dave Jarecki writes poetry, fiction and nonfiction from his home in Portland, Ore. Read and listen to his work, as well as the work of guest writers, at DaveJarecki.com.
by the Read Write Poem Staff
Yes, this is it! The Read Write Poem NaPoWriMo Challenge pledge post. Remember — you have to “sign” the pledge to qualify for inclusion in the Read Write Poem NaPoWriMo Challenge Anthology and to be included in our gently used poetry collection raffle! Continue reading the official read write poem napowrimo challenge pledge post
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read write poem news- read write poem napowrimo anthology
June 20, 2010 | 1:36 pmThe Read Write Poem NaPoWriMo Anthology is still in production. Selection, placement, layout and copyediting are taking longer than anticipated. Thank you for your patience. I hope to have the piece completed in July. For those who have emailed asking if they can be included, the May 7 deadline for submission of work stands. Those who met that deadline will be included. Please check the post on this site listing who I received submissions from by that date. If you submitted your work by the May 7 deadline in accordance with our guidelines and your name is not listed, send an email to info (at) readwritepoem (dot) org.
- read write poem napowrimo anthology
May 5, 2010 | 3:09 pmRemember that Friday* is the deadline for submitting work to the Read Write Poem NaPoWriMo Anthology. Check out the guidelines for submission in the main column (to the left). On May 8, we’ll post a news item listing everyone we’ve received work from. If you submitted work and your name is not on that list, please let us know. Thanks!
*I initially said “tomorrow,” but I meant to say “Friday.”
- napowrimo congratulations, and a reminder
April 24, 2010 | 12:05 pmIt’s the final week of the Read Write Poem NaPoWriMo Challenge! Just 7 days left. With that, a reminder that Read Write Poem will culminate with the anthology featuring work from those who complete the challenge. A post with details for submitting to the anthology will be published May 1. Be sure you remove any information from the site that you want preserved — such as group content and personal messages. Those elements of the site will be removed May 1 as well. The main site will remain up as an archive.
- ‘underlife’ tour at january gill o’neil’s blog
April 20, 2010 | 8:11 pmJanuary Gill O’Neil’s virtual book tour has moved to her site and is underway now. Check out the lineup at Poet Mom.
Archive for read write poem news »
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thank you and farewell As of May 1, 2010, Read Write Poem is no longer active.
In late May, an anthology featuring work from those who completed the Read Write Poem NaPoWriMo Challenge will be published here and on issuu.com.
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