read write prompt #115: what do you believe?

by Carolee Sherwood

This Read Write Prompt is brought to you in two easy steps: (1) make lists and (2) turn one or more of those lists into a poem.

The lists: What do you believe (or not believe)?
You are going to make four lists (or fewer if you believe in doing your own thing):

#1. Make a list of 10 things you believe or believe in.

#2. Pick one thing on that list and identify 10 concrete examples. Be creative with this part of the list-making. If you choose to elaborate on a belief about something intangible (love, God, magic, etc.), connect everyday occurrences to your belief: a silver bucket that overflows with rain water, strangers sitting side-by-side on a bench, what a tree does when it emerges from winter.

#3. Make a list of 10 things you don’t believe or believe in.

#4. Pick one thing from this list to describe with 10 concrete examples (the reasons why you don’t believe, the evidence against something).

The poem
You’re done jumping through hoops. This part is all you! Use your lists to inspire a poem. It can be a list-poem if you’re not tired of hearing the word list (list, list, list, list!), but it doesn’t have to be. Your lists (lists, lists, lists, lists!) may have inspired a tangent. If so, feel free to follow it. You may comprise your poem from bits of all four lists or you may hone in on one list or one list item.

You may even abandon the theme — What do you believe? — when you write your poem. The goal of starting with this theme is that you’ll strike upon something at your core, something fundamental to who you are in the world. Once you’ve found it, or a piece of it, run with it! Run, poets! Run!

Enjoy this week’s prompt, and come back next Thursday where you can leave a link or a poem in the comments to our Get Your Poem On post.

Carolee Sherwood is a poet and artist who lives in Upstate New York. She is co-editor of Ouroboros Review, mother of three boys and a veteran Read Write Poem columnist. You can find her rambling about the creative life at Carolee Sherwood and drafting poems at I Am Maureen.

get your poem on #114

by Deb Scott

It’s Thursday, and time to post links to this week’s poems (or leave us your poem in the comments).

Last week’s Read Write (Word) Prompt offerings were all over the map! How did that work out for you? (And if you wrote using some other inspiration, that’s OK, too. You never have to write to the prompt. We are not like that around here.) Whatever you did, or didn’t do, share it. And come back tomorrow for the next great prompt.

Please read this page to find out how the Get Your Poem On and Read Write Prompt posts work.

Remember that work linked from this post is shared in precisely that spirit: sharing, as opposed to critiquing.

If you haven’t done so already, please read all the pages under About in the navigation bar.

If you participate in a Read Write Prompt, we ask that you link back here in your posts, either with a link to Read Write Poem or by using the Read Write Poem badge in your post. Sidebar links are great but it helps others find the site when you link in every post you contribute to the project. It’s not a lot to ask in acknowledgment of the work everyone is doing in providing prompts for members to use.

Deb Scott is a community director for Read Write Poem and co-manages our Virtual Book Tour. She admits to loving Wordles if nothing other than to admire all the offerings. Deb blogs at Stoney Moss.

considering the other: writing for the other? know thyself first

by Ren Powell

As I finish up my final year of graduate school, I have been thinking about the way I have been stymied when trying to consciously incorporate theory into my writing practice. Too often I let academics intrude on my process, rather than complement it. I forgot why I write.

So now I continually return to the Swiss playwright Fredrich Dürrenmatt’s “Some Points on The Physicist, specifically number 1: I don’t start with a thesis; but a story. His notes sit on my desk in a little frame.

Over the last year I have developed a new awareness of not only my writing practice but the impetus of my writing and the consequences it has in regard to form and voice. I have come to understand that I write primarily narrative poems that function rather like lyrics of feeling, in contrast with lyrics of thought or lyrics of vision (with the exception of my experiments with animated poetry).

My poems are characterized by somewhat surrealistic content masquerading as realism. I want my readers to struggle to place the poem’s events within their life’s narrative as a “real” event, just as they would with a familiar but inexplicable feeling of half-memory that can only be described as, “It’s sort of like … .” Not surprisingly, this is what I enjoy reading in the work of other poets, from Dante (no, I’m not kidding) to Brigit Pegeen Kelly.

I am a classical writer in the sense that I believe the function of poetry is to present a mimesis* by which a person can experience the re-creation of a moment in which they recognized the truth. It is not an attempt to evoke an emotional response, an epiphany or confirm or instruct a moral lesson. It is an attempt to evoke an experience of human awareness. (While potentially pretentious, it is certainly not an original ambition.) However, I am also a surrealist writer in the sense that I want the reader to access a universal truth by throwing suspicion upon accepted ideas of reality and forcing the reader to look beyond what the five senses perceive and what logic can conceive.

Although there are poets who freely invent their worlds, for example Poe invented tribes of nonexistent peoples, I am a stickler for accuracy in poems. My tendency to use trivia from the natural world might be termed hyperrealism in that it intentionally challenges the reader’s concepts of fact and fantasy. For example, one of my poems includes details regarding a real parasite that changes the sexual identity and function of its hermit crab host. The parasite is not only a metaphor but a scientific doppelganger for the character in the poem.

A tutor once remarked that my poems had “strange women doing strange things.” Maybe my poems are simply doppelgangers for me? If I could put into prose how I experience the world, I would be a philosopher not a poet.

I discovered that the writing process, for me, is as much one of discovery as one of expression. I will point out that I do not believe this is self-discovery but rather discovery of universal truths. This may sound grandiose; however, I would argue that the lyric poet on a journey of self-discovery also has potential for self-aggrandizing.

I would never go so far as to say that I write for myself, but I do enjoy the writing process because of the cathartic experience inherent in the creation of the lyric narrative. Yet ultimately I write to reach others: to verify my experience as human and real. I seek empathetic readers. Communion. It is a selfish act, and this is my only confession.

What do you want from the others who read your work? What do you have to say to them, share with them? Confess.

*“It was also Plato and Aristotle who contrasted mimesis with diegesis (Greek διήγησις). Mimesis shows, rather than tells, by means of directly represented action that is enacted.”

ren powellRen (Katherine) Powell is native Californian living on the west coast of Norway. Ren has published three collections of poetry and 11 books of translations. She is a graduate adviser with Prescott College’s brief residency MA program and is pursuing a doctorate in creative writing at Lancaster University in England. Learn more at her website.

just one thing: rachel loden's ‘hotel imperium’

by Sarah J. Sloat

Rachel Loden's Hotel Imperium

Hotel Imperium, by Rachel Loden

“Dan Rather rents by the month; everybody feels sorry for him, even the pimps.”

 

 

 

 

 

 

 

 

I usually avoid reading political poetry, the poor thing so often abused with polemic and righteousness, so I was skeptical when a friend first recommended Rachel Loden’s “Hotel Imperium.” Would I enjoy a collection largely preoccupied with Richard Nixon and the Soviet Union?

Luckily Loden is that rare bird who writes political poetry that’s both serious and entertaining. She recently published a new book called Dick of the Dead, which sent me back to my shelf to re-read “Hotel Imperium.” In her poems, she takes on politicians, it’s true, but also celebrity, sexuality, pop culture, power, money and revenge. A heady mix, and occasionally campy.

You can read a selection from “Hotel Imperium” here, but for a taste of Loden’s wit, here’s the beginning of “Blues for the Evil Empire:”

Consider the late Eurasian entity, how it lumbered
into the groggy arms of history where it was

buried. Which is more than you can say
for Lenin’s body, chilly like a mammoth

in an ice floe, if less hairy….

For “Just One Thing” I asked Loden this burning question,

Can you tell me a little about the clientele at the Hotel Imperium?

Well, let me say first that it was once a very grand hotel, but it has seen cheerier days. The lobby is trending toward seedy, like the clientele; both smell of ancient cigarettes and alcohol. Gathered in it, at any point: revolutionists, opportunists, adventurers, ladies of the night and fading men of the hour.

Various central bankers, corporate Sturmführers and other financial desperados turn up for assignations they might prefer to keep out of the Wall Street Journal.

A celebrated wealth manager (and Ponzi schemer) is reluctant to give up his usual lunch table in the restaurant, where he politely ignores the entreaties of a long line of potential marks. The more he rebuffs them, the more frantically they press him with cash.

Other regulars: General Dzhokhar Dudayev of the Chechen Republic, eluding the laser-guided missile that has his name on it; J. Edgar Hoover in a short black cocktail sheath, drinking a mint julep; and Felix Dzerzhinsky, founder of the Bolshevik secret police, jollier company for J. Edgar since statues of him started going back up in Moscow and Minsk.

D-list pop stars. Card sharks. A girl who looks alarmingly like Little Bo Peep (but why are her petticoats in tatters?).

Dan Rather rents by the month; everybody feels sorry for him, even the pimps.

Tricia Nixon Cox and Julie Nixon Eisenhower wouldn’t be caught dead there, but rumor is that they rent a room once a year and fill it with flowers. Nobody seems to know why.

Svetlana Stalin; Woody Allen; Jayne Mansfield (without her platinum-blonde scalp, left tangled in a windshield near Biloxi); James Brown.

Retired ambulance drivers, driven mad by the things they’ve seen.

Some cinder-boy, who sleeps in the fireplace. A guy named Bluto. An ancient bellman, stooped and halting, cursing the elevator which is, as always, broken.

Odd duos: Bebe Rebozo and Johnny Stompanato; Osip Mandelstam and Madonna Ciccone.

A mathematician nurses his whiskey at the bar, realizing that the tools available to him, such as logic, can’t explain what’s going on.

He gives up and picks a fight with a poet, whom he accuses of necrophiliac designs on the corpse of Ludwig Wittgenstein.

Other poets debate fine points of literary taxonomy to the point of fisticuffs. Adjunct professors panhandle at the door.

Pets are strictly verboten, but some say that on certain nights in the threadbare hallways, the spirit of a plucky little dog named Checkers surrenders to the moon.

Find out more about “Hotel Imperium” here and about Loden at her website.

sarah j. sloatSarah J. Sloat lives in Germany, where she works in news. Sarah likes red wine, olives and stinky cheese, rather like Marlon Brando in The Godfather. Her chapbook “In the Voice of a Minor Saint” was published by Tilt Press in 2009. She writes at The Rain in My Purse.

read write prompt #114: all over the map

by Deb Scott

This week’s words came from a bunch of folks who have not yet been featured word-givers: Pauline, Pamela, Natalya, Melanie B, Mark, Marian V, Marian M, Jessica, J Clark, Elizabeth and Alan all donated to the cause!

To write to this prompt, pick as many (or few) of these words as you want and write a poem using them. (Yes, you may change tense! And if these words don’t suit you, pick your own. Just write a poem.) If you want to share some of your favorite words for an upcoming Read Write (Word) Prompt, head on over to the Wordle Word Bank, in the member site and contribute in our “General Words” forum or leave them on the group wire. (Whatever is easier for you.)

Hope this week’s prompt gets you going. Come back next Thursday where you can leave a link or a poem in the comments to our Get Your Poem On post.

Deb Scott is a community director for Read Write Poem and co-manages the Read Write Poem Virtual Book Tour. She has to admit that making Wordle prompts is nearly as much fun as writing to them. Deb blogs at Stoney Moss.

read write poem news

  • read write poem napowrimo anthology
    June 20, 2010 | 1:36 pm

    The Read Write Poem NaPoWriMo Anthology is still in production. Selection, placement, layout and copyediting are taking longer than anticipated. Thank you for your patience. I hope to have the piece completed in July. For those who have emailed asking if they can be included, the May 7 deadline for submission of work stands. Those who met that deadline will be included. Please check the post on this site listing who I received submissions from by that date. If you submitted your work by the May 7 deadline in accordance with our guidelines and your name is not listed, send an email to info (at) readwritepoem (dot) org.

  • read write poem napowrimo anthology
    May 5, 2010 | 3:09 pm

    Remember that Friday* is the deadline for submitting work to the Read Write Poem NaPoWriMo Anthology. Check out the guidelines for submission in the main column (to the left). On May 8, we’ll post a news item listing everyone we’ve received work from. If you submitted work and your name is not on that list, please let us know. Thanks!

    *I initially said “tomorrow,” but I meant to say “Friday.”

  • napowrimo congratulations, and a reminder
    April 24, 2010 | 12:05 pm

    It’s the final week of the Read Write Poem NaPoWriMo Challenge! Just 7 days left. With that, a reminder that Read Write Poem will culminate with the anthology featuring work from those who complete the challenge. A post with details for submitting to the anthology will be published May 1. Be sure you remove any information from the site that you want preserved — such as group content and personal messages. Those elements of the site will be removed May 1 as well. The main site will remain up as an archive.

  • ‘underlife’ tour at january gill o’neil’s blog
    April 20, 2010 | 8:11 pm

    January Gill O’Neil’s virtual book tour has moved to her site and is underway now. Check out the lineup at Poet Mom.

  • RSSArchive for read write poem news »