(collaborative) read write prompt #48: what is this collaboration we speak of?
by Nathan Moore
Some of us might be new to the idea of writing poetry with others. The notion of more than one person writing a poem might seem strange or even in conflict with established views of what poetry is and how it’s made. Before we jump into the prompt, I’ll say a few things about collaboration.
When we collaborate, the process of writing takes on greater weight than the product. The finished poem is important, but the method of working together becomes even more important as we focus on the ways we cooperate and learn from each other. In solitary writing, the thing we end up with means everything. How we get there is interesting but is mostly incidental. The poem could’ve leapt out of the author’s head onto the page. This isn’t to say that collaborative poetry doesn’t make striking, beautiful, funny and thoughtful poems. It often does.
But collaboration offers a sense of authorship different from the one we’re used to. In contrast with our notion of the lone artist struggling in isolation, the individual ego is set aside as the group creates. Instead of the emphasis on individual voice, the group creates a new voice, one different from and greater than the individual voices that made it. Process and product are shared.
Collaboration comes from the assumption that poetry is abundant, not scarce. When we collaborate, we demonstrate that there is more than enough poetry to go around. We contain the capacity for creating and sharing poetry. We’re not misers hoarding our individual, limited supply of poems. When we collaborate, we show how we create a world of poetry, that it’s not a pie to be divided up and parceled out: It’s an entity that grows by division. Collaboration enhances rather than diminishes our poetic power.
In collaborative poetry, the emphasis is on working together and learning from each other. When we collaborate, we get to pay close attention to how a poem is made. We listen and respond to other voices, new phrases, new words and sounds in combination. We watch the way others work around problems. We learn about and from others’ strategies.
Learning how others work is a tangible benefit of collaboration. When we write together, we see voices act in response to each other. We see others creating meaning from something we’ve made. We learn about the ways other people revise, whether we revise together or individually.
We learn about cooperation by doing it. Collaboration lets us get into the rhythms, the give and take, of working closely with others. We gain a greater awareness of what a poem is doing as it’s made. Our openness to the intentions of others is strengthened by negotiating our individual way through the process.
And the most important thing about collaboration is that it’s The Good Times. Solitary work has its own rewards, but there is nothing in it that matches the surprise of collaboration. It’s wonderful to see a word or phrase turn a poem into something completely different from what you thought it would be. There’s nothing like watching multiple intentions work together to influence the direction of a line or stanza.
The pleasures of cooperation are real. Some of the strongest relationships I’ve known have been forged by writing with others. Real connections can be made by creating a new voice, a voice that is greater than the sum of the voices that made it. Here we have a real opportunity to experience the rewards of collaboration rather than the competitive angst that we so often fall into.
Also, if you’ve got writer’s block or you just haven’t had many poems in you lately, collaboration gives you a way to make poems. It has been known to get the fires going for solitary work as well as light communal fires. I always find that collaborative writing inspires my individual creativity.
And, when you want to send your solitary poems out for publication (in venues that don’t accept previously published poetry-blog entries), you have your collaborative work to post on your blog.
And so for our prompt this week, we’ll do a word-by-word poem. That is, the first participant will leave a word in the comments section, the next participant will add the next word, and so on, until comments are closed at midnight Central Standard Time Sunday. Participants may take as many turns as they want, but place just one word per comment please. (And let someone — or someones — else take a turn after you go before you go again.)
I want to stress that what we’re creating is a draft. I’ll post the result of our efforts Monday and participants will revise the draft individually then post the final version on their blogs. You can leave a link to your revision for next week’s Get Your Poem On post. (And don’t forget to link back to Read Write Poem on your post!)
So who’s going to leave our first word?
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read write poem news- yes, yes, here’s another virtual book tour stop for ‘a walk through the memory palace’
February 6, 2010 | 11:37 amFind the latest tour stop for Pamela Johnson Parker’s debut collection, A Walk Through the Memory Palace at Jillypoet, Jill Crammond Wickham’s blog, where you can find an interview with Pamela that discusses how she creates manuscripts.
Previous stops include Daniel Romo at his blog, Peyote Soliloquies and James Brush at his blog, Coyote Mercury.
You can find all our plans for the tour here.
- the best of the web is in our ranks
February 6, 2010 | 11:35 amSarah J. Sloat’s poem,”Attending the Tasting” (published in The Literary Bohemian) has been selected for Best of the Web 2010. Congratulations, Sarah!
- another (w00t!) read write poem member on the joe milford poetry show
February 6, 2010 | 11:34 amOn the Joe Milford Poetry Show tomorrow (Feb. 6): W.F. Roby at 9 AM (PST). Find the show here!
Joe describes Will as a “great language poet and bad-ass.”
- ‘literary podcasting made simple with wordpress.com’
February 6, 2010 | 11:33 amDave Bonta has published a how-to article that might be of interest to WordPress users: “Literary Podcasting Made Simple with WordPress.com,” based on his and Beth Adams’ experience at Qarrtsiluni.
Thanks, Dave, for continuing to help make the community aware of technological resources that can expand our art.
- the latest (virtual) book tour stop for ‘a walk through the memory palace’
February 3, 2010 | 3:53 pmThe latest tour stop has been posted for Pamela Johnson Parker’s debut collection, A Walk Through the Memory Palace. Find out how Daniel Romo responded to the work at his blog, Peyote Soliloquies.
James Brush provided our first tour stop at his blog, Coyote Mercury.
You can find all our plans for the tour here.
- planning for napowrimo in april, and you are invited!
February 2, 2010 | 6:12 pmHello, hello dear Read Write Poem community members! We are in the planning stages for NaPoWriMo. (What? Is that a groan I hear, or an excited exclamation?)
We are planning another prompt-every-day for those folks who love to write a daily poem in April (which is, as most of you know, National Poetry Month in the United States — although there is an international following of writing poetry every day in April, too, so it is not just about the States).
Anyway! This is a call for prompts because we want to run your ideas, one every day, in April. So here’s what to do:
- Prompts must be no more than 250 words, and we will take the first 30 that we receive.
- Include “NaPoWriMo Prompt” in the subject line of your email as well as your username (e.g., the name you use when you log in) so we can match you up with your prompt and give you the link love.
- Email your submission (in the body of the email — no attachments please) to prompts (at) readwritepoem (dot) org!
We’ll let you know when we’ve got the 30, but don’t delay because it takes a lot of time to format the posts and we want to be ready come April Fools’ Day. Woohoo!
- new senior contributors at read write poem
February 2, 2010 | 11:51 amWe are thrilled to announce that Ren Powell and Dave Jarecki are moving into the senior contributor role at Read Write Poem. Both have been writing feverishly for the site, as well as providing ideas for content and for the community as a whole. In short, they make this site a more lively, and better, place.
Ren and Dave will fill the roles vacated by Carolee Sherwood and Jill Crammond Wickham, who have moved into the manager role.
Everyone please thank Ren and Dave for their hard work and commitment to Read Write Poem.
- rounding out the virtual book tour of sarah j. sloat’s ‘in the voice of a minor saint’
January 31, 2010 | 1:53 pmOur last stop on the Virtual Book Tour of Sarah J. Sloat’s In the Voice of a Minor Saint is with Ren Powell. Find Ren’s review at More Babel.
Joseph Harker provided our first stop in December, and you can find David Moolten’s review at Edible Detritus. David’s was followed by Dave Jarecki’s. Dave’s review is at his blog. Find Jill Crammond Wickham’s at Jillypoet: Mom Trying to Write.
In case you missed the introduction, we are (virtually) hosting Sarah J. Sloat’s In the Voice of a Minor Saint. For complete tour information, such as how you can get your own copy of the collection or how you can get involved in future tours, read this post.
- make your own book: get off the computer and onto the paper
January 30, 2010 | 4:19 pmBeth Adams has posted her latest project at The Cassandra Pages. “A Handmade Book” may not explicate all the details of bookbinding, but Beth shows readers the “Secret Belgian Binding.” It’s a beautiful as well as inspiring post.
If you would like more detailed instructions, Google “secret Belgian bookbinding” and find sites such as this one. Or look for a local book arts class for hands-on instruction.
As Beth says, ” … it did me good to get away from the computer and feel my hands at work!”
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Tatterdemalion
Slink
across
chrome
alleys
Villas
deplete
memories
of
sacred
tablature
{I know. It’s a big word. Forgive me. It’s only a draft — people can edit it out later if they wanna. Hi.}
antiquated
courtyards
host
[...] 10, 2008 And so for our prompt this week, we’ll do a word-by-word poem. That is, the first participant will… addthis_url = [...]
[...] 7:00 and I’m practically too tired to type. But I did fit in a word over at the RWP collaborative prompt, which I’m saying counts as writing. It was a good word — alleys. I may even pop [...]
tribal
artifacts
which
nobody
recognize
nowadays
remain
untouched
yet
civil
guards
scream
obscenities
lost
meditation
resurfaces
I
brilliant
though
forgettable
words
tenuously
scavenge
jettison