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	<title>Comments on: &#8216;i, too, dislike it&#8217;: the art of revision</title>
	<atom:link href="http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/feed/" rel="self" type="application/rss+xml" />
	<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/</link>
	<description>because poem is an action</description>
	<pubDate>Fri, 21 Nov 2008 18:36:57 +0000</pubDate>
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		<title>By: Kraken revisited &#171; Words that sing</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8407</link>
		<dc:creator>Kraken revisited &#171; Words that sing</dc:creator>
		<pubDate>Mon, 23 Jun 2008 14:18:52 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8407</guid>
		<description>[...] is a revision of an earlier poem of mine, Kraken. I revisited it on a suggestion from readwritepoem to go back and rework an old poem. The original was a jigsaw poem, and in rewriting it I&#8217;ve [...]</description>
		<content:encoded><![CDATA[<p>[...] is a revision of an earlier poem of mine, Kraken. I revisited it on a suggestion from readwritepoem to go back and rework an old poem. The original was a jigsaw poem, and in rewriting it I&#8217;ve [...]</p>
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		<title>By: get your poem on #31 at Read Write Poem</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8390</link>
		<dc:creator>get your poem on #31 at Read Write Poem</dc:creator>
		<pubDate>Mon, 23 Jun 2008 05:50:49 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8390</guid>
		<description>[...] you saw Jessica&#8217;s article about the four books that changed her writing (what are yours?) or January&#8217;s piece on revision or Carolee&#8217;s last poll dance about procrastination. We&#8217;ll leave the [...]</description>
		<content:encoded><![CDATA[<p>[...] you saw Jessica&#8217;s article about the four books that changed her writing (what are yours?) or January&#8217;s piece on revision or Carolee&#8217;s last poll dance about procrastination. We&#8217;ll leave the [...]</p>
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		<title>By: read write prompt #32: reuse, recycle and revise! at Read Write Poem</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8351</link>
		<dc:creator>read write prompt #32: reuse, recycle and revise! at Read Write Poem</dc:creator>
		<pubDate>Wed, 18 Jun 2008 05:05:21 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8351</guid>
		<description>[...] love recycling and was fascinated by January&#8217;s recent article about revising poetry, so here&#8217;s a quick recycling prompt: Take an old poem and revise it, either polish it or [...]</description>
		<content:encoded><![CDATA[<p>[...] love recycling and was fascinated by January&#8217;s recent article about revising poetry, so here&#8217;s a quick recycling prompt: Take an old poem and revise it, either polish it or [...]</p>
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		<title>By: durable pigments</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8288</link>
		<dc:creator>durable pigments</dc:creator>
		<pubDate>Fri, 13 Jun 2008 19:34:35 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8288</guid>
		<description>RE: revision, I can't conceive of writing without it, I admit. I tend to think of the first draft as spilling a pile of bricks onto the foundation. It's only in subsequent drafts that I feel like I'm able to build something from the pile. Sometimes I get lucky on a first draft and the bricks fall out into a pleasing pattern, easy to straighten the edges and dust off and walk away from, and sometimes there's no sorting them... but I always make at least an attempt to tackle the pile, wielding trowel and mortar.</description>
		<content:encoded><![CDATA[<p>RE: revision, I can&#8217;t conceive of writing without it, I admit. I tend to think of the first draft as spilling a pile of bricks onto the foundation. It&#8217;s only in subsequent drafts that I feel like I&#8217;m able to build something from the pile. Sometimes I get lucky on a first draft and the bricks fall out into a pleasing pattern, easy to straighten the edges and dust off and walk away from, and sometimes there&#8217;s no sorting them&#8230; but I always make at least an attempt to tackle the pile, wielding trowel and mortar.</p>
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		<title>By: Brenda</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8282</link>
		<dc:creator>Brenda</dc:creator>
		<pubDate>Fri, 13 Jun 2008 03:31:58 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8282</guid>
		<description>I am an endless reviser. When I post I often go back in 10 or 20 times to change a phrase or a word. Only when I can finally "live" with the piece can I move on. It's the same with my artwork. The ultimate criteria being the "can I live with it?" one, meaning not shudder, groan, or feel that the thought is incomplete.

Currently I am still in the 'put it all in' mode and allow myself to mix styles, from academic discourse to imagistic poetry.

But that makes revising more difficult! What "works" is an intuitive appraisal since it's not the kind of 'poetry writing' I was taught in workshops many years ago. 

It has to feel as if different levels are being included and that not everything is neat and tidy, a little messy is important, something rather wild and unpruned.

Sometimes I edit to make it ill-fitting, awkward!

Thank you for this reminder on the importance of working at our writing - in this world of hitting "post" something that maybe we don't do enough of.</description>
		<content:encoded><![CDATA[<p>I am an endless reviser. When I post I often go back in 10 or 20 times to change a phrase or a word. Only when I can finally &#8220;live&#8221; with the piece can I move on. It&#8217;s the same with my artwork. The ultimate criteria being the &#8220;can I live with it?&#8221; one, meaning not shudder, groan, or feel that the thought is incomplete.</p>
<p>Currently I am still in the &#8216;put it all in&#8217; mode and allow myself to mix styles, from academic discourse to imagistic poetry.</p>
<p>But that makes revising more difficult! What &#8220;works&#8221; is an intuitive appraisal since it&#8217;s not the kind of &#8216;poetry writing&#8217; I was taught in workshops many years ago. </p>
<p>It has to feel as if different levels are being included and that not everything is neat and tidy, a little messy is important, something rather wild and unpruned.</p>
<p>Sometimes I edit to make it ill-fitting, awkward!</p>
<p>Thank you for this reminder on the importance of working at our writing - in this world of hitting &#8220;post&#8221; something that maybe we don&#8217;t do enough of.</p>
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		<title>By: Carole (watermaid)</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8259</link>
		<dc:creator>Carole (watermaid)</dc:creator>
		<pubDate>Wed, 11 Jun 2008 07:58:49 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8259</guid>
		<description>Nathan, I, do a tremendous amount in my head too, in between sessions on the computer. I just find it easier to go to the computer although I agree that a notebook in the pocket would be useful if I could remember to take it with me.</description>
		<content:encoded><![CDATA[<p>Nathan, I, do a tremendous amount in my head too, in between sessions on the computer. I just find it easier to go to the computer although I agree that a notebook in the pocket would be useful if I could remember to take it with me.</p>
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		<title>By: Nathan</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8253</link>
		<dc:creator>Nathan</dc:creator>
		<pubDate>Tue, 10 Jun 2008 16:25:43 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8253</guid>
		<description>I don't have anything against writing on a computer, I'm just more comfortable with pen and paper. I can carry it around in my pocket and work on it when there's a spare minute. 
For me, writing poetry is like a chess game in the sense that I have to juggle different things in my head at the same time. It's just easier for me to map things out with a pen. 
Prose also has its complexities but I prefer to write it on a computer. I find that larger amounts of text are easier to handle electronically.</description>
		<content:encoded><![CDATA[<p>I don&#8217;t have anything against writing on a computer, I&#8217;m just more comfortable with pen and paper. I can carry it around in my pocket and work on it when there&#8217;s a spare minute.<br />
For me, writing poetry is like a chess game in the sense that I have to juggle different things in my head at the same time. It&#8217;s just easier for me to map things out with a pen.<br />
Prose also has its complexities but I prefer to write it on a computer. I find that larger amounts of text are easier to handle electronically.</p>
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		<title>By: Carole (watermaid)</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8248</link>
		<dc:creator>Carole (watermaid)</dc:creator>
		<pubDate>Tue, 10 Jun 2008 12:10:54 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8248</guid>
		<description>Before I write each poem, I have this awful fear that I either won't be able to write anything or that what I write will be rubbish. What I get down on paper usually is pretty poor. I agree with Rehabille about first drafts. Once i transfer to the computer, it's magical. The poem starts to take shape and I change words  round, cut and paste away merrily. Unless the poem is going on my blog, I then follow one of January's suggestions, putting it away before further editing. I like to experiment with point of view and tense. I don't tend to use adverbs or adjectives, but like to make the verbs as strong as possible. I know that some poets like Bill Herbert, in the poetry section of 'Creative Writing: A Workbook' edited by Linda Anderson, look down their noses on poetry written on computers, but his way just doesn't work for me. It's only when I start tapping the keys that my brain gets into gear.

I once read an article in 'New Writer' by someone like me who doesn't really like to do free writes. Apparently it's something to do with personality. I do, however, use them if I'm stuck. NaPoWriMo was great for me as it actually got me doing the hardest bit, which is starting to write. I've now got 30 poems to work on. For me the crafting is the essence of writing a poem. 

I've only had two poems accepted for publication. (Sending them off is almost as difficult as starting to write them!) Both of these were written whilst  doing an Open University creative writing course, and both were worked on extensively.</description>
		<content:encoded><![CDATA[<p>Before I write each poem, I have this awful fear that I either won&#8217;t be able to write anything or that what I write will be rubbish. What I get down on paper usually is pretty poor. I agree with Rehabille about first drafts. Once i transfer to the computer, it&#8217;s magical. The poem starts to take shape and I change words  round, cut and paste away merrily. Unless the poem is going on my blog, I then follow one of January&#8217;s suggestions, putting it away before further editing. I like to experiment with point of view and tense. I don&#8217;t tend to use adverbs or adjectives, but like to make the verbs as strong as possible. I know that some poets like Bill Herbert, in the poetry section of &#8216;Creative Writing: A Workbook&#8217; edited by Linda Anderson, look down their noses on poetry written on computers, but his way just doesn&#8217;t work for me. It&#8217;s only when I start tapping the keys that my brain gets into gear.</p>
<p>I once read an article in &#8216;New Writer&#8217; by someone like me who doesn&#8217;t really like to do free writes. Apparently it&#8217;s something to do with personality. I do, however, use them if I&#8217;m stuck. NaPoWriMo was great for me as it actually got me doing the hardest bit, which is starting to write. I&#8217;ve now got 30 poems to work on. For me the crafting is the essence of writing a poem. </p>
<p>I&#8217;ve only had two poems accepted for publication. (Sending them off is almost as difficult as starting to write them!) Both of these were written whilst  doing an Open University creative writing course, and both were worked on extensively.</p>
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		<title>By: gautami tripathy</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8213</link>
		<dc:creator>gautami tripathy</dc:creator>
		<pubDate>Sat, 07 Jun 2008 14:23:12 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8213</guid>
		<description>I rarely go back to any of my poems. I simply move on to the next. As I have not published so revision is not as important for me. However, it does make a certain poem perfect. 

Great discussion!</description>
		<content:encoded><![CDATA[<p>I rarely go back to any of my poems. I simply move on to the next. As I have not published so revision is not as important for me. However, it does make a certain poem perfect. </p>
<p>Great discussion!</p>
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		<title>By: evie</title>
		<link>http://readwritepoem.org/2008/06/05/%e2%80%9ci-too-dislike-it%e2%80%9d-the-art-of-revision/#comment-8207</link>
		<dc:creator>evie</dc:creator>
		<pubDate>Fri, 06 Jun 2008 17:31:51 +0000</pubDate>
		<guid isPermaLink="false">http://readwritepoem.org/?p=164#comment-8207</guid>
		<description>hey, january,

very interesting piece on a subject most writers must confront again and again at various stages of their writing life.  thanks for writing it.  what you've helped me understand about my own process is that i rarely use the term "revision" to describe what i do.  this could be why i don't have that allergic reaction many writers have to the idea of revising.  i would describe my process on most poems (there are always exceptions, of course) in this way:

i have an idea that feels like a poem, so i get out my notebook and begin writing.  if all goes well (i have time to devote to it, and my "muse" is with me) it builds and builds to something i usually call a complete draft.  if i'm not lucky, what i've written is the beginning of a draft, or even notes to begin drafting from later -- those i have to come back to (muse willing) until i finally get to the complete draft stage.  this complete draft is often messy looking, with lines crossed out, words added in the margins, and plans for fixing problems that aren't written down but held in my head.  then (sometimes immediately, sometimes later) i go to the computer and type it in.  lots of changes occur in this typing-in process.  lots of decisions about line lengths, stanza shapes, line breaks, word choice, new images, etc., etc., etc., get made in the course of getting the complete draft into a word processing file.  sometimes i "type in" 2 or 3 versions to compare.  often the title first emerges at this stage.  in other words, it could take me anywhere from a half-hour to a half-day (or more, in some cases) to "type in" the poem.  at this point, in fact, i have gone from thinking of it as a complete draft to thinking of it as a poem.  at that point, i might close it and come back to it later, when i need to send a submission out, or if i'm super excited about it or frustrated with it i might send it to a trusted friend or two for feedback.  but sooner or later, i come back to it and do what i call "tweaking" -- a word which covers a wide range of potential changes!  then at some point, i look at it and say to myself that it is "done."  as far as i can tell, "done" just means ready for submission to journals or to be read to an audience.

but the kicker is that, like others who've commented here, even poems that are "done" continue to get "tweaked," even after they've been initially published.  i don't know that there's a statute of limitations on how long the tweaking can continue -- it's really a function of whether i feel satisfied that i've gotten the poem to the very best place i can get it, without it becoming another poem...  and what's funny is that at no point am i "revising" -- it's all "writing" or "working on" the poem, in terms of how i think of it!

i always write too much in your comments box, january -- a testament not just to my long-windedness, but also to the thoughtfulness and thought-provokingness of your blog entries!

peace,
evie</description>
		<content:encoded><![CDATA[<p>hey, january,</p>
<p>very interesting piece on a subject most writers must confront again and again at various stages of their writing life.  thanks for writing it.  what you&#8217;ve helped me understand about my own process is that i rarely use the term &#8220;revision&#8221; to describe what i do.  this could be why i don&#8217;t have that allergic reaction many writers have to the idea of revising.  i would describe my process on most poems (there are always exceptions, of course) in this way:</p>
<p>i have an idea that feels like a poem, so i get out my notebook and begin writing.  if all goes well (i have time to devote to it, and my &#8220;muse&#8221; is with me) it builds and builds to something i usually call a complete draft.  if i&#8217;m not lucky, what i&#8217;ve written is the beginning of a draft, or even notes to begin drafting from later &#8212; those i have to come back to (muse willing) until i finally get to the complete draft stage.  this complete draft is often messy looking, with lines crossed out, words added in the margins, and plans for fixing problems that aren&#8217;t written down but held in my head.  then (sometimes immediately, sometimes later) i go to the computer and type it in.  lots of changes occur in this typing-in process.  lots of decisions about line lengths, stanza shapes, line breaks, word choice, new images, etc., etc., etc., get made in the course of getting the complete draft into a word processing file.  sometimes i &#8220;type in&#8221; 2 or 3 versions to compare.  often the title first emerges at this stage.  in other words, it could take me anywhere from a half-hour to a half-day (or more, in some cases) to &#8220;type in&#8221; the poem.  at this point, in fact, i have gone from thinking of it as a complete draft to thinking of it as a poem.  at that point, i might close it and come back to it later, when i need to send a submission out, or if i&#8217;m super excited about it or frustrated with it i might send it to a trusted friend or two for feedback.  but sooner or later, i come back to it and do what i call &#8220;tweaking&#8221; &#8212; a word which covers a wide range of potential changes!  then at some point, i look at it and say to myself that it is &#8220;done.&#8221;  as far as i can tell, &#8220;done&#8221; just means ready for submission to journals or to be read to an audience.</p>
<p>but the kicker is that, like others who&#8217;ve commented here, even poems that are &#8220;done&#8221; continue to get &#8220;tweaked,&#8221; even after they&#8217;ve been initially published.  i don&#8217;t know that there&#8217;s a statute of limitations on how long the tweaking can continue &#8212; it&#8217;s really a function of whether i feel satisfied that i&#8217;ve gotten the poem to the very best place i can get it, without it becoming another poem&#8230;  and what&#8217;s funny is that at no point am i &#8220;revising&#8221; &#8212; it&#8217;s all &#8220;writing&#8221; or &#8220;working on&#8221; the poem, in terms of how i think of it!</p>
<p>i always write too much in your comments box, january &#8212; a testament not just to my long-windedness, but also to the thoughtfulness and thought-provokingness of your blog entries!</p>
<p>peace,<br />
evie</p>
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